photos from the 2010 dawn service at the cenotaph…

“what you see is what you get”; one of denise’s favourite sayings about herself – and that’s a philosophy i have a lot of time for. there’s something so refreshing about spending time with them – not only their straightforwardness, but their cheeky sense of fun and appreciation for simple things. i am thankful to count them among my truest friends. we miss you guys… come back again soon!

ps… the lyrics reference in the title of this post was intended!

in my experience the principal’s influence can make or break a school over time – and john’s school has benefited hugely from having a man of his talents and passion for education at the helm. he’s one of those ‘hands-on’ proactive headmasters: meeting kids at the drop-off zone in the mornings, playing sports on the field at lunchtime, supervising the road crossing in the rain, dressing as various characters or getting dunked underwater to raise funds for the school – even coming in on the weekend to help weed the grounds! yet he commands the respect of the students and is well liked by the staff and parents – no mean feat!

but most of all: our family is honoured to call him our friend thanks for the opportunity to shoot your portrait john!

here’s how i did it…

first of all, i needed to use the best light possible for the shot, so i took Norm (the subject) outside to an area of open shade, with good reflected light from the sunlit lawn. then i faced him at an angle to the camera, and had him turn his head towards me a little more, to create interest and present a flattering view.

unlike my DSLR cameras, my IXUS has no manual shooting controls; but it does have a 3x optical zoom (max focal length approx equal to 105mm on a 35mm camera). to avoid unflattering barrel distortion (seen with wide-angle photos, makes you look like… well, a barrel), i chose to zoom the lens in as far as it would go, and step well back to compose the shot. this also solved the problem of my reflection appearing in the subject’s glasses!

while i chatted a little to Norm to put him off-guard (as this impromptu photo shoot was not his own idea!) i composed and pre-focused the camera – important with compacts as they have a noticeable shutter delay – and when i saw a natural smile i grabbed the shot. i took a few shots to make sure of getting one that he would be happy with… and this was his favourite. so now i had the photo, and here’s what came out of the camera:

unfortunately, the result looks like what it is – a compact camera snapshot. so here’s what i did to make it more presentable (sorry but here i’m gonna assume a good working knowledge of Adobe Photoshop – plenty of other places cover the basics much better than i can in this blog).

first of all, i ran ‘Pro Retouch’ on it (from Totally Rad Actions) and gently softened areas of the skin with a low-opacity brush. then i used the ‘Eye Bump’ layer from that same action, and slightly lightened the tinted glasses to reveal his eyes, and painted briefly over his teeth as well. then, i used the Colour Balance tool and adjusted the warmth of the photo by increasing cool green, blue and cyan tint on the tree behind Norm (leaving Norm his original colour with the history brush). i used the Curves tool and gave the photo a little more contrast and clarity overall. then, another action from Totally Rad, this time from their second set The Revenge: ‘Pool Party’, at just 20% opacity – and only applied to Norm himself (using layer masks), to remove some of the redness created by the camera, and even out his skin tones. and i added a light vignette to direct the eye to his face. here is the photo so far – looking a lot better, but still not done.

next, i needed to give Norm more separation from the background… with no control over aperture i was unable to shoot the way i normally would with my ‘wide-open’ lenses; and this put the whole photo into focus – fine for landscapes, but distracting for portraits. so i duplicated the whole layer, and ran the Extract filter on the top layer to manually erase the entire background. this is a fiddly job especially where fine hairs exist – if you erase them too, you end up with a cardboard cutout. the Extract filter often doesn’t do a very good job but this time it was acceptable with a bit of tweaking. then, on the underneath layer i ran ‘Bokeh’, a filter from Alien Skin which approximates the effect of wide aperture lenses. i experimented with the settings until the preview looked reasonably natural, and then applied the filter. this put the leaves out of focus – but of course it blurred Norm too and made his shape bigger than it was before, so that it showed up as a fuzzy pink glow all the way around his outline. and here’s what that looks like:

yeh, not good LOL. to fix that, i enlarged the leafy area on the bottom layer all the way around Norm to reduce the size of the glow; now the upper layer would hide it. a couple of tweaks (like removing the red reflection from the left of his glasses) – and i’m done. and here is the before and after shot together for comparison:

this method will never produce as good a result as using the proper equipment from the start – but it can help rescue a situation where sometimes a snapshot is all you have to work with, and you’ve just got to do your best. if you have any questions please feel free to comment

but don’t just take my word for it: judge for yourself!

solution? take two different photos, one of the ship at relatively fast speeds, and another of the scenery without the ship at about 40 seconds exposure, and combine them. and as it turned out, i got two ships for the price of one: because a freighter, dwarfed by the giant cruiser, followed it in to port…